Our VTR rental equipment is tested by our professionally trained and experienced in-house support team. All VTR equipment is maintained regularly to give you flawless performance. Our technical staff will check all decks returned for accurate operation and all necessary repairs will be completed before they return to the rental department.

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SONY DVW-2000
  • Superb picture quality and high sound quality of Digital Betacam format
  • HD upconversion output capability (1080/50i)(option: 1)
  • Compact 4U height design and light weight
  • High-quality four-channel 20-bit digital audio
  • Long recording time of 124 minutes on an L-cassette and 40 minutes on an S-cassette
  • Versatile interfaces including SDI I/O, analog component I/O, digital and analog audio I/O, time code I/O, analog composite I/O and 50-pin parallel remote interface as standard
  • Frame-accurate insert/assemble editing
  • Pre-read editing capability
  • Digital audio jog sound
  • High-speed picture search
  • Variable speed playback
  • Dynamic Motion Control (DMC) functionality
  • Easy setup using "Memory Stick" media
  • Shot mark handling
  • UMID handling
  • Built-in Tele-File reader/writer to read and write information onto and from a cassette with an optional Tele-File label attached
  • Remote maintenance and monitoring over an Ethenet network using the optional BZNW-1000 ISR Proxy software
  • Optional remote control panel BKDW-101
  • Built-in signal generator
  • Can be installed in LMS and Flexicart systems
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SONY-A500 (NTSC or PAL)
Digital Betacam Editing Recorder. The DVW-A500 features Betacam and Betacam SP playback capability, pre-read capability for video and audio, serial digital V/A interface (SMPTE 259M) along with built-in Component analog video and audio interfaces, and an optional Composite analog input (BKDW-505). Built-in A/D and D/A converters for both audio and video signals allow for direct interfacing with analog equipment. Delivers picture in shuttle mode up to speeds of approx. 50 times normal playback. The DVW-A500 also has a Program Play mode which allows video recordings to be reproduced over a range of 15% normal speed, in increments of 0.1%.
  • Superb Picture Quality
  • High Quality Audio
  • Betacam and Betacam SP® Playback Capability
  • Versatile Integration into Current Analog Systems
  • Digital Jog Sound
  • High Speed Picture Search
  • Dynamic Tracking Playback
  • Program Play
  • Reliable Tape Transport
  • Channel Condition Monitoring
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SONY DVW-500
Digital Betacam Editing Recorder (digital recorder/player). Coefficient recording (component digital), playback of Digital Betacam recordings only, pre-read audio and video capability, SMPTE 259M serial digital V/A interface, built-in Component analog video and audio interfaces, optional compostie analog input(BKDW-505).Dynamic tracking at -1 to +3 times normal speed, digital jog sound for precise audio monitoring, video program play at +/- 15% in 0.1% steps, audio pitch correction option for program play, 10 bit 4:2:2 serial digital interface and processing, four editable 20 bit digital audio channels, high speed shuttle with picture, 50 times normal speed, built-in AES/EBU digital audio interfaces.
  • Superb Picture Quality
  • High Quality Digital Audio
  • Compact and Lightweight
  • Serial Digital Interface
  • Digital Jog Sound
  • Program Play
  • Read Before Write; Preread Editing Capability
  • Pilot Tone Tracking System
  • Reliable Tape Transport
  • Coefficient recording (component digital), playback of digital Betacam recordings only, pre-read audio and video capability, SMPTE 259M serial digital V/A interface, built-in analog video and audio interfaces, optional composite analog input, and 4:3 and 16:9 capability.
  • Provides four, independently editable, 20-bit digital audio signal channels.
    Equipped with SDI, which conforms to the SMPTE259M; a 4:2:2 component digital video signal, together with four digital audio channels and time code are carried via a single coaxial cable, allowing simple connection with other SDI-equipped devices.
  • Complete reproduction of four channels of digital audio is achieved within the range of -1 to +1 times normal playback speed, even in the Jog mode.
  • DT playback heads are located ahead of the record heads on the scanner; previously recorded video and audio signals are read by these DT heads and can be processed by external equipment and recorded back onto the same track.
  • In addition to conventional CTL-based tracking, the DVW-500 has an auto tracking system which enhances trackability.
  • The tape transport mechanism of the DVW-500 is designed for precision and robustness; it uses a mid rotary-type scanner which is positioned between the upper and lower drums to obtain fine head-to-tape contact.
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SONY DVW-A510
Digital Videocassette Player - Providing professionals with the tools to work in analog and digital, Sony's DVW-A510 Digital Betacam editing player (analog and digital), plays back digital Betacam and all analog Betacam recorded tapes. The unit includes analog video and audio outputs, SMPTE 259M serial digital V/A interface, four editable 20-bit digital audio channels, and a high-speed shuttle.

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SONY J-30 SDI
Compact Player/Viewer. Can be used as feeder for NL editing. Plays back Betacam, Betacam SP, Betacam SX, IMX and Digital Betacam. Comes equipped with SDI, Composite, S-Video. XLR Audio, RS-422A, RS-232C, 525/625 versatility, jog/shuttle dial,. Handles both S and L-size cassettes.
  • Compact design ideal for desk-top use
  • Multi-format playback capability; Digital Betacam, MPEG IMX, Betacam SX, Betacam SP and Betacam
  • Accommodates both small and large cassettes
  • Can be installed either horizontally or vertically
  • 525/625-line switchable playback
  • Equipped with SDI, analog composite video and S-Video outputs, RS-232C/422A control interfaces, two channels of audio monitor output and audio headphone output
  • i-Link Output
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SONY BVW-70
Betacam SP Player/Recorder Broadcast VTR - Broadcast player/recorder with 4 audio channels, built-in timecode reader/generator, TBC, 9-pin RS422, 36-pin parallel, high speed Picture search.

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SONY DSR-2000
This VTR has playback compatibility of consumer DV (both SP and LP recorded tapes), DVCPRO (25 Mbps) as well as DVCAM. In addition, The DSR-2000 also has the ability to perform Double-Scan Playback, helping to restore both video and audio of misaligned tape information. The DSR2000 also includes a wider digital slow play range (-x1 to x1), excellent jog audio, built-in video control (TBC), RS-422 interface, and a built-in timecode generator. Analog interfaces (component, S-Video, composite video, and four balanced audio channels), SDI, SDTI (QSDI) and AES/EBU interfaces are standard. Optional i.LINK IEEE 1394 DV I/ O interface boards (DSBK-190) and an SDTI-CP interface boards (DSBK-210) are also available.
  • All DV (25Mbps) Family Tape Playback
  • ClipLink™
  • 4-Channel Digital Audio Editing
  • RS-422A Interface
  • Pre-read Function
  • Double-Scan Playback
  • Optional i.LINK™ IEEE 1394 DV I/O Connection Board
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SONY DSR-1800
DVCAM Studio Editing Recorder/Player – The DSR-1800 is a studio editing recorder, which incorporates innovative technology. Excellent playback of all DV based (25 Mbps) formats and cassette sizes is possible without the need of an adaptor. A jog/search dial is standard, including jog audio. A variety of option boards are available for SDI, SDTI, and i.Link inputs and outputs.

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SONY DSR-1500A (NTSC and PAL available)
The DSR-1500A incorporates the same innovative, high standard technology featured in the DSR-2000 into a compact, half-rack width design. The space-saving size makes the DSR-1500 ideal for such installations as in OB vehicles and with desktop editing systems. A key feature of the DSR-1500 is its recording and playback compatibility of consumer DV (SP mode only) in addition to DVCAM as well as playback capability of DVCPRO 25 Mbps recordings, and its ability to automatically accommodate all standardized cassette sizes without the need for an adapter or changing menu settings.

The DSR-1500A comes equipped with a 6-pin i.LINK IEEE 1394 DV I/O connection allowing it to be immediately integrated into non-linear systems with connection compatibility. By configuring the DSR-1500A from either or both of its optional interface boards, it can be equipped to meet a broad range of professional user requirements.

There are two optional interface boards available for the DSR-1500. The DSBK-1501 combination SDI/SDTI/AES/EBU interface option board ensures a migration path to and from Digital Betacam, MPEG IMX, Betacam SX and other digital video systems. The DSBK-1504 analog input interface board which includes component, composite and audio connections provide the bridge to existing analog based systems and equipment, and also allows the analog information to be transferred E to E via the standard i.LINK DV I/O connection.

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SONY DSR-45
Key features include a 2 inch LCD monitor for viewing content, audio levels, tape information and user menu selection, time code insert and I/O, 4 channel audio control, 4-pin i.LINK IEEE 1394 DV I/O connection, RS-422A, RS-232C and Control S remote control interfaces.
  • Compact Size
  • Space-saving half-rack size width and two unit (2U) height.
  • Built-in 2 Inch LCD Display
  • 123,200 pixel built-in LCD monitor for monitoring the camera picture, playback of the recorded picture, or viewing menu settings. The monitor can also display the levels for the four channels of audio. The audio levels can be viewed separately, or as an overlay above the picture.
  • Standard and MiniDV Cassette Size Compatible
  • he DSR-25 accommodates the two industry standard sizes of DVCAM and DV videocassette tapes; standard size and miniDV size.
  • Analog Component Video IN/OUT
  • The DSR-45 has both an analog component input and output, allowing a versatile interface with current analog equipment and systems
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PANASONIC AJ-SD93
The compact AJ-SD93 desktop VTR is ideal for production tasks that employ several types of digital video cameras. Equipped with IEEE 1394 interface, the AJ-SD93 is ready for use with a nonlinear editor or network server as a player and recorder. Because it plays back DV and DVCAM sources as well as DVCPRO and DVCPRO50, the AJ-SD93 offers format flexibility.

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PANASONIC AJ-SD255
A half-rack-sized VTR made for nonlinear editing applications and a variety of production tasks. Compact and easy to carry, the AJ-SD255 is well-suited for viewing, dubbing and feeding an NLE system.  The AJ-SD225 performs DVCPRO and DV recording and playback with both standard and mini-DV cassettes for cost-effective, extended-time applications. In recording and playback, including DVCAM playback, a cassette detection function automatically selects the proper mode. The AJ-SD255 provides up to 126 minutes of continuous recording and playback.
  • Records both DVCPRO and DV
  • Auto-senses playback for DVCPRO, DV and DVCAM
  • Composite, component and Y/C I/O standard
  • New joystick search design
  • UMID data recording and playback
  • 126 minutes recording in DVCPRO (256 minutes in DV)
  • RS-422 standard
  • IEEE 1394 and SDI options available
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PANASONIC AJ-SD955
  • DVCPRO50 Studio VTR for versatile, cost-effective, high-end digital video production
  • Recording time of up to 92 minutes on DVCPRO50 cassettes, 184 minutes on DVCPRO
  • Playback and recording of 4:2:2 component video with 3:3:1 compression for superior quality
  • Two- or four-channel digital audio sampled at 48 kHz with 16-bit quantization for superb sound
  • Provided with SDI, AES/EBU audio and analog interfaces for versatility
  • Fully equipped with RS-232C, RS-422A, encoder, and parallel interfaces for remote control
  • Illuminated jog & shuttle dial lights up in search mode for easy, precise operation
  • Slow-motion playback at -0.43x to +0.43x, 0.5x and 0.75x normal in both DVCPRO50 and DVCPRO modes
  • Use of intra-frame compression enables linear editing with to-the-frame precision
  • On-screen menu display for easy setup and access to important initial settings
  • Easily installed in studios or OB vans and has built-in handles for portability
  • World-wide voltage support
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SONY PDW-1500
  • MPEG IMX/DVCAM recording and playback
  • Two optical heads allows transfer speeds of 2.5x for MPEG IMX (at 50 Mb/s) and 5x for DVCAM streams
  • Proxy AV (low-resolution audio and video) Data recording
  • High-speed transfer of Proxy AV Data at 50-times speed
  • Ability to write EDL data (Clip List) back onto disc
  • Metadata recording
  • Long recording/playback time; MPEG IMX at 30 Mb/s: 68 min., 40 Mb/s: 55 min., 50 Mb/s: 45 min., DVCAM: 85 min.
  • A variety of interfaces including SDI I/O, analog composite I/O, digital audio I/O, analog audio I/O, time code I/O, headphone output, audio monitor output, Gigabit Ethernet, i.LINK (DV IN/OUT or file access mode)
  • Thumbnail Search operation
  • Scene Selection operation
  • Search speed (in color) - JOG: -1 to +2 times normal speed, Shuttle: ¡Ó50 times normal speed
  • Voice over recording
  • i.LINK (DV stream) output from MPEG IMX playback
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SONY J-H3 HDCAM Compact Player
The J-H3 is a cost effective solution for HDCAM tape viewing, logging, and off-line editing applications. The unit offers computer display output for viewing of HDCAM tapes at XGA resolution on computer screens and projectors, optional i.LINK interface, and multi field/frame rate operation.

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SONY HDW-F500 HDCAM
High-Definition editing recorder utilizing HDCAM compression. The switchable frame rate allows recordings to be made at 23.98, 24, 25, 29.97and 30 frames per second progressive, and 50, 59.94 or 60 fields per second interlace. Audio capabilities include (4) 20-bit channels, capable of handling Dolby "E" encoded audio tracks.

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SONY SRW-5500
  • HDCAM SR and HDCAM recording
  • MPEG 4 Studio Profile Compression
  • 4:2:2 and 4:4:4 (optional) record capability
  • 10 bit per sample video record capability - log or linear
  • Records 1080 line (Interlace and/or Progressive) and 720 line Progressive images
  • Records 12 channels of audio at 24 bits per sample
  • Optional Digital Betacam playback
  • Pre-Read Editing, Edit/Record Confidence Playback
  • Records non audio AES/EBU data in audio tracks
  • Internally routable audio outputs
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SONY HDW-1800
  • HDCAM recording and playback - 1080/59.94i, 50i, 25PsF, 29.97PsF, 23.98PsF and 24PsF
  • Built-in down converter enables to output 480/59.94i or 576/50i from HD
  • Simple control panel with color LCD panel which can display audio level meter, time data and playback/recording picture
  • DMC, Pre-read, audio split and audio cross-fade editing
  • Up to 3 packets of VANC metadata recording and playback
  • Non-audio data such as Dolby-E or AC3 can be recorded
  • RS-422 connector is equipped for Sony 9pin remote control
  • Enables 3-2 pull down output or 720P conversion output
  • Record HDV input via i.LINK onto HDCAM tape
  • Video remote controller HKDV-900 can be connected
  • Remote editing controller RM-280 can be connected
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PANASONIC AJ-HD3700B
  • HD Studio Quality - Full resolution 4:2:2 digital 10-bit component recording which meets the highest standards for production, editing, broadcast.
  • High Quality Film Mastering - Progressive image recording of 24-fps film sources in 1080/23.98PsF and 1080/24PsF as well as 1080/24P allows for high quality mastering of content for broadcast and DVD packaging.
  • Multiple Formats - Complete recording, playback and editing of ATSC formats including 1080i, 1080p, 1080PsF, 720p ensures full HD compatibility.
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PANASONIC AJ-HD1700
  • Up to two hours recording time; ideal for sports and HD program delivery (L, M and XL cassettes)
  • Multiple HD recording formats - 1080/60i, 1080/59.94i, 1080/50i, 720/60p, and 720/59.94
  • Tape operating costs comparable to DVCPRO 50
  • Eight channels of discreet audio recording, supporting 5.1 channel surround sound and SAP
  • Universal DV format playback compatibility - DV, DVCAM, DVCPRO25/50, DVCPRO HD
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PANASONIC AJ-HD1400
From field recording to nonlinear and in-studio editing, the AJ-HD1400 is an invaluable solution for HD production. The AJ-HD1400 records at 100 Mbps with 4:2:2 color sampling and intra-frame compression in multiple U.S. and worldwide HD/SD formats including 1080/59.94, 1080/50i, 720/60p, 720/59.94p and 720/50p. Designed with comprehensive editing features, this AC/DC-powered recorder features HD SDI digital input/output and IEEE 1394 input/output, a 9-pin remote interface for use in assemble/insert editing, and a built-in up/down converter. This lightweight VTR offers a handle for on-the-go use and its compact design makes it a great space-saver for desktop use and in-studio editing.
  • Multi-format HD/SD system records in 1080/59.94p, 1080/50i, 720/60p, 720/59.94p and 720/50p
  • Converts from a VariCam® 50p recording (over 60p) source with native 720p/50 or PAL output
  • IEEE 1394 input/output interface transfers DVCPRO HD native video to NLE systems without image quality degradation
  • HD-SDI input/output and SDI output for applications such as line recording and in-studio production
  • Built-in up/down/cross converter for playing back DVCPRO 50/DVCPRO/DV/DVCAM tapes and for outputting a converted HD signal
  • Supports assemble/insert editing with 9-pin remote control and IEEE 1394
  • Supports VANC metadata (UMID, CC, etc.)
  • Multi-format HD/SD system records in 1080/59.94p, 1080/50i, 720/60p, 720/59.94p and 720/50p Supports Encoder Remote (component style/composite style)
  • 64 minutes of recording time on an AJ-P126L cassette. Accepts DVCPRO (L/M) and Mini-DV cassettes (AJ-CS455 cassette adaptor required for Mini-DV cassette playback.)
  • Compact and lightweight
  • AC or DC operation
  • High-quality 16-bit digital audio with up to eight embedded channels
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PANASONIC AJ-HD1200A
  • The world's first and only production-quality high-definition video player/recorder 1 with available IEEE 1394 FireWire interface
  • Ideal for use with Apple's Final Cut Pro HD editing system or equivalent
  • Light weight and D.C.-powered operation permit in-field HD editing and viewing
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JVC BR-HD50U ProHD
JVC BR-HD50U Compact HDV/DV Format Video Recorder with DVCAM Playback, 50Hz/60Hz Compatibility, Cross Converter 1080i/720p/480i Output. This HDV/DV spooler is designed to transfer video and audio data to a non-linear editing system. Optimized for use with a wide variety of existing systems and formats, this unit features switchable HDV and DV modes and analog outputs. The BR-HD50U can record HDV format 720/30p/25p/24p, 480/60p or 576/50p video and DV format 480/60i and 480/24p video.

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HVR-1500
Offers many of the convenient features demanded by professionals, such as quick mechanical response, multi-format DV playback, and a robust set of professional video and audio interfaces ranging from analog to digital SDI and AES/EBU. The new HVR-1500 offers HD-SDI output and RS-422A 9-pin control capabilities, bridging HDV source material and assets with high-end HD formats and HD editing environments.

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KONA HD10C2
The HD10C2, AJA's second generation HD D/A converter, brings exciting new features. In addition to being a high-quality 10-bit HD converter, the HD10C2 is "dual-rate" and works with both HD-SDI and SDI inputs. For HD-SDI inputs, the HD10C2 outputs full bandwidth HD component or VGA-style RGBHV video. For SDI inputs, component or composite SD outputs are supported. When connected to a multi-format monitor like the Sony 20L5, the HD10C2 will automatically provide an image from almost any HD or SD input format. The HD10C2 also features 2 equalized HD-SDI outputs.
  • Low Cost, High Quality, 10-bit Dual Rate HD/SD D/A Conversion
  • Full Bandwidth HD Analog RGB or YPbPr Output (HD input)
  • Component/Composite SD Output (SD input)
  • 2 Equalized Loop-Thru HD-SDI/SDI Outputs
  • RGBHV VGA style HD output using supplied adapter
  • HD Sync Selectable Between Bi-level and Tri-Level
  • 4:3 Safe Area Graticule (HD)
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KONA GEN10
HD/SD Sync Generator10 Blackburst and Tri-level Sync Generator
The GEN10 is a cost effective and flexible SD/HD/AES sync generator. The GEN10 features 7 outputs including 2 groups of independently controlled SD/HD sync outputs and 1 AES-11 output. The SD outputs can be switched between Color Black or Color Bars. HD tri-level sync can be switched between 19 different HD formats including all that are in use today. The AES-11 output can be switched between SILENCE and TONE. All outputs are in sync with each-other and are sourced from an accurate master time base.
  • HD Tri-level sync generation
  • SD Color Black or Color Bars
  • Two groups of independently switchable outputs allows simultaneous HD and SD sync generation
  • AES-11 output switchable between silence and tone
  • Multiple outputs can synchronize entire systems without requiring a Sync DA
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AJA DC10CEA
The D10CEA converts SDI video with embedded audio to component or composite analog video and 4 Channel balanced analog audio. The video outputs can be configured as YPbPr (Betacam or SMPTE/EBU-N10), RGB, composite or YC (S-Video). The analog audio outputs can be wired in a balanced or unbalanced configuration. The 4 audio channels can be selected from group 1-4. Audio and video output connections are available on a 25 pin "D" subminiature connector (breakout cable supplied). All video/audio configuration is done by external dipswitch selection. This versatile, low-cost, miniature monitoring solution also outputs two re-clocked loop-thru SDI outputs.
  • Digital to Analog Audio and Video Converter
  • SDI with Embedded Audio Input
  • Component or Composite Video Outputs
  • 4 Channel Balanced Audio Output
  • 2 Re-Clocked, Loop-Thru SDI Outputs
  • Selectable Audio Channel Pair/Group
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4462DB
The 4462DB SDI balanced AES-EBU audio de-embedder extracts two digital stereo audio streams from any group in the ancillary data space of a 270Mb SDI stream.
De-embedding conforms to SMPTE 272M and allows audio to be extracted from any of the four groups. There is automatic cable equalization and a re-clocked SDI output is provided.
The unit is housed in an extremely compact and rugged aluminum case and is suitable for both field and studio applications. Extracts two balanced AES-EBU digital audio streams from any audio group within a 270Mb/s 525/625 SDI signal. Now with 525/625 auto sensing SDI input and input cable equalization increased to over 350m.
  • Extracts two balanced AES-EBU streams from any group
  • Automatic detection of 525/625 SDI
  • 20 or 24 bit de-embedding
  • LEDs show group status and input signal presence
  • Automatic input cable equalisation to over 350m
  • Re-clocked SDI output
  • Extremely compact and rugged
  • Control switches
  • Audio group select
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